Serveur d'exploration sur William Byrd

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William Byrd’s Modal Practice. By John Harley. pp. xii + 162. (Ashgate, Aldershot and Burlington, Vt., 2005. £45. ISBN 0-7546-3441-8.)

Identifieur interne : 000110 ( Main/Exploration ); précédent : 000109; suivant : 000111

William Byrd’s Modal Practice. By John Harley. pp. xii + 162. (Ashgate, Aldershot and Burlington, Vt., 2005. £45. ISBN 0-7546-3441-8.)

Auteurs : Hugh Benham

Source :

RBID : ISTEX:6C0BD50CDD700042EBAA1B696022CB7425FA3840

English descriptors


Url:
DOI: 10.1093/ml/gcl026


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

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<term>Bourgeois capitalism</term>
<term>Brief essay</term>
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<term>Cadence available</term>
<term>Cadential pattern</term>
<term>Certain abruptness</term>
<term>Characteristic pattern</term>
<term>Chord decrease</term>
<term>Chronological order</term>
<term>Coherent whole</term>
<term>Complete analysis</term>
<term>Complex nature</term>
<term>Comprehensive coverage</term>
<term>Comprehensive index</term>
<term>Consecutive part</term>
<term>Considerable problem today</term>
<term>Contrapuntal composition</term>
<term>Cuius latus perforatum</term>
<term>Deserving further consideration</term>
<term>Diatessaron</term>
<term>Different writer</term>
<term>Difficult reading</term>
<term>Disparate collection</term>
<term>Dorian transposition</term>
<term>Early writing</term>
<term>Easie introduction</term>
<term>Easy illusion</term>
<term>English composer</term>
<term>English psalm setting</term>
<term>Expressive content</term>
<term>Extent helpful</term>
<term>Extraordinary force</term>
<term>Final paper</term>
<term>Final paragraph</term>
<term>Final part</term>
<term>First scholarly book</term>
<term>Flat chord</term>
<term>Flat key</term>
<term>Flat side</term>
<term>Full range</term>
<term>Gain many</term>
<term>General overview</term>
<term>Grouping piece</term>
<term>Harley</term>
<term>Harmonic choice</term>
<term>Hexachord system</term>
<term>Hittall william modal practice</term>
<term>Illinois press</term>
<term>Important contribution</term>
<term>Interesting observation</term>
<term>Intermediate cadence</term>
<term>Inverted comma</term>
<term>Ionian</term>
<term>Ionian mode</term>
<term>Isbn john</term>
<term>Jacobean composer</term>
<term>John harley</term>
<term>John harley end</term>
<term>Key corresponding</term>
<term>Larger subject area</term>
<term>Last bar</term>
<term>Last violin sonata</term>
<term>Late source</term>
<term>Lewis lockwood</term>
<term>Little more</term>
<term>Little overlap</term>
<term>Local tonality</term>
<term>Logical path</term>
<term>Lydian diapente</term>
<term>Main argument</term>
<term>Main mode</term>
<term>Major chord</term>
<term>Many such symposium</term>
<term>Mark kroll</term>
<term>Melodic entity</term>
<term>Melodic movement</term>
<term>Melodic range</term>
<term>Melodic shape</term>
<term>Minor cadence</term>
<term>Minor key</term>
<term>Minor sonata</term>
<term>Minor third</term>
<term>Modal</term>
<term>Modal practice</term>
<term>Modal principle</term>
<term>Modal shape foreign</term>
<term>Modal system</term>
<term>Modal theory</term>
<term>Modally mixolydian</term>
<term>More helpful</term>
<term>More poignant</term>
<term>More remote shift</term>
<term>More substantial</term>
<term>More thoroughgoing change</term>
<term>More useful</term>
<term>Music example</term>
<term>Music theory</term>
<term>Musical collection</term>
<term>Musical quotation</term>
<term>Musical resolution</term>
<term>Musical structure</term>
<term>Note subsequent melodic idea</term>
<term>Obsessive concern</term>
<term>Octavespecific mode</term>
<term>Offer paper</term>
<term>Opening melodic subject</term>
<term>Other hand</term>
<term>Other note</term>
<term>Paper first</term>
<term>Particular pitch</term>
<term>Performance practice</term>
<term>Pierre boulez</term>
<term>Practicall musicke</term>
<term>Preliminary concept</term>
<term>Prominent place</term>
<term>Reasonable compromise</term>
<term>Religious system</term>
<term>Rhyme scheme</term>
<term>Same voice</term>
<term>Separate chapter</term>
<term>Separate section</term>
<term>Separate study</term>
<term>Seventeenth century</term>
<term>Sharp chord</term>
<term>Sharp extremity</term>
<term>Sharp side</term>
<term>Sheer warmth</term>
<term>Side issue</term>
<term>Similar frequency</term>
<term>Similar method</term>
<term>Simplistic certainty</term>
<term>Single paragraph</term>
<term>Sixteenth century</term>
<term>Specialized study</term>
<term>Specific expressive purpose</term>
<term>Specific passage</term>
<term>Subject matter</term>
<term>Subsidiary tonality</term>
<term>Substantial section</term>
<term>Subtle preparation</term>
<term>Such local tonality</term>
<term>Such thing</term>
<term>Sudden shift</term>
<term>Suitable terminology</term>
<term>Tenor part</term>
<term>Theoretical system</term>
<term>Theoretical writing</term>
<term>Time obscure</term>
<term>Tonal choice</term>
<term>Tonal design</term>
<term>Tonal development</term>
<term>Tonal dominant</term>
<term>Tonal individuality</term>
<term>Tonal relationship</term>
<term>Tonal universe</term>
<term>Tonality</term>
<term>Tonality change</term>
<term>Ultimate form</term>
<term>Unde fluxit sanguine</term>
<term>Unprecedented depth</term>
<term>Various form</term>
<term>Various type</term>
<term>Verum corpus</term>
<term>Violin sonata</term>
<term>Vocal clef</term>
<term>Vocem straight</term>
<term>Wagner literature</term>
<term>Welcome feature</term>
<term>Wellfocused subject</term>
<term>Whole section</term>
<term>William petre</term>
<term>William work</term>
<term>Wonderful move</term>
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